Brief Introduction Of The Origin Of Drama

There are many theories about the beginning of drama inancient..

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Brief Introduction Of The Origin Of Drama

There are many theories about the beginning of drama inancient Greece. The on most widely accepted today is based onthe assumption that drama evolved from ritual. The argumentfor this view goes as follows. In the beginning,Cement making machine human beingsviewed the natural forces of the world-even the seasonalchanges-as unpredictable, and they sought through variousmeans to control these unknown and feared powers.Ball mill Those measures which appeared to bring thedesired results were then retained and repeated until they hardened into fixed rituals. Eventuallystories arose which explained or veiled the mysteries of the rites. As time passed some rituals wereabandoned, but the stories, later called myths,Limestone rotary kiln persisted and provided material for art and drama.
Those who believe that drama evolved out of ritual also argue that those rites contained the seedof theater because music, dance, masks, and costumes were almost always used, Furthermore, asuitable site had to be provided for performances and when the entire community did notparticipate,Cement machinery a clear division was usually made between the “acting area” and the “auditorium.” Inaddition,Cone crushers there were performers, and,Sand making machine since considerable importance was attached to avoidingmistakes in the enactment of rites, religious leaders usually assumed that task. Wearing masks andcostumes, they often impersonated other people, animals, or supernatural beings,Rock crushing plant and mimed thedesired effect-success in hunt or battle, the coming rain, the revival of the Sun-as an actor might.Eventually such dramatic representations were separated from religious activities.
Another theory traces the theaters origin from the human interest in storytelling. According to thisvies tales (about the hunt, war, or other feats) are gradually elaborated, at first through the use ofimpersonation, action, and dialogue by a narrator and then through the assumption of each of theroles by a different person. A closely related theory traces theater to those dances that areprimarily rhythmical and gymnastic or that are imitations of animal movements and sounds.

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